“Sizzlingly talented multi-hyphenate. ”
“(In the) only purely comic role, Cannon's expressive face, loose-limbed body and basso growl of a speaking voice strongly recall comedian Bill Hader in one of his chameleonic character roles.”
-Broadway World
“This production is chock full of star turns, but they blend seamlessly as an ensemble. Patrick Cannon as the sadistic Orin is devilishly good. Cannon is quite menacing, yet alluring- as should be any sadistic singing dentist. The gas mask scene had me in stitches.”
-Chicago Theater Beat
“Little gems to savor: Patrick Cannon’s Marcellus, richly spoken at a time when we need to know just what’s going on.”
-Chris Rawson, Pittsburgh Post-Gazette
Patrick Cannon's dizzying mood swings as the bipolar Silvio swing back and forth from elation to weepy, pathetic sorrow, then around to murderous rage, recalling Raul Julia's work in The Addams Family and Two Gentlemen of Verona.
-Broadway World
(Patrick Cannon and Tony Bingham) give performances strong enough to make us squirm at being close to such raw displays of emotion.
-THE PITT NEWS
Cannon is explosive as Jason. When he first wanders into the bar in the flashback, he’s infused with boyish charm. But as his circumstances change, he becomes more and more bitter and jaded. He smolders in his ex-convict scenes.